SELECTED EARLIER PRESS AND CATALOGS
2017
Weinberg, Jill. “Mark Sheinkman.” New York: Lennon Weinberg Gallery. Catalog essay
2016
Landi, Ann. “Mark Sheinkman.” Vasari21.com, January 2016.
2015
McQuaid, Cate. “Delicate Balance.” The Boston Globe, April 29, 2015.
Ollman, Leah. “Ephemeral Ribbons of Light.” Los Angeles Times, June 9, 2014.
Landi, Ann. “When is an Artwork Finished?” ARTNews, February.
2013
Daniels, Diana. Approaching Infinity: The Richard N. Green Collection of Contemporary Abstraction. Sacramento, California: Crocker Art Museum (catalog)
Greenberg, Alyssa. “Explorations of monochrome — All Black at Gallery Joe.” theArtBlog.org
Marks, Rob. “#Hashtags: No Wrong Way In, No Wrong Way Out.”DailyServing.com
Shaw, Dan. “Trisha Reger Renovates.” Architectural Digest, November 2013.
2012
Lodermeyer, Peter. Papier / Paper II. Bonn, Germany: Kunstgaleriebonn (catalog)
2011
Goodman, Wendy. “Great Room,” New York Magazine, November 28.
Grossman, Dan. “Review: Subtle Complexities.” Nuvo News, June 14.
Pagliasso, Giancarlo. “Arte dal ‘Come se’, al ‘Come è’.” Zeta, June.
Park, Megan. “Mark Sheinkman and Dean Smith.” Philadelphia Weekly, March 17.
2010
Lacher, Irene. “Home Base.” Luxe Magazine, Fall.
2009
Schick, Dr. Ulrike. Mark Sheinkman. Otterndorf, Germany: Museum Gegendstandsfreier Kunst. (catalog)
Isham, Michelle. “‘Leaded’ makes its mark.” Centre Daily Times, September 18.
Lafont, Isabel. “Una privilegiada ventana con vistas a las vanguardias.” El Pais, January 28.
Rafferty, Rebecca. “Making marks.” City Newspaper, January 28.
Bauer-Vonderwarft, Zacharias. “Bei Frühsorge: Mark Sheinkman hämmert im Hirn.” Die Welt, January 24.
2008
Reese, Dr. Elizabeth. "Getting creative with the common.” Corpus Christi Caller-Times, December 4.
Cash, Stephanie. “Mark Sheinkman at Von Lintel.” Art in America, March.
Demuth, Gary. “More than just drawing.” Salina Journal, March 28.
Kozlowski, Andy. “Leaded.” Art Papers, January/February
2007
Amy, Michael. 2007. New York: Von Lintel Gallery. (catalog)
Taylor, Robert. “Pencil me in for current Bedford exhibit.” Contra Costa Times, October 25.
Giovannini, Joseph. “Bold Gesture in New York.” Architectural Digest, April.
2006
Newhall, Edith. “Gridlock minus Road Rage.” The Philadelphia Inquirer, July 7.
2005
Keller, Maximilian. “Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman.” Die Welt, May 23.
Kaufman, Gina. “On Your Mark, The Kemper Gets Physical.” Pitch Weekly, March 16.
Williamson, Lisha. “Mark Sheinkman’s Way.” University News, February 7.
Edelman, Robert. New Works by Mark Sheinkman. Kansas City: Kemper Museum (catalog)
2004
Cullum, Jerry. “Intriguing interjections in a century-long dialogue.” Atlanta Journal-Constitution, May 30.
2003
Renzi, Jen. “Blue Chip.” Interior Design, August.
Sherman, Mary. “Open Studio Press tries new `Line' of work.” The Boston Herald, January 12.
McQuaide, Cate. “Meticulous Meditations on the Abstract.” The Boston Globe, January 3.
2002
Johnson, Ken. “Art Guide: Zenroxy.” The New York Times, December 20.
Gonzalez, Manuel; Forde, J.A.. “Unframed: Artists Respond to AIDS.” New York: Powerhouse Books (catalog)
2001
Johnson, Ken. "Art Guide: Mark Sheinkman.” The New York Times, March 23.
Sauerbier, S.D.. Die Kunst der Linie-Möglichkeiten des Graphischen. Linz, Austria: Landesgalerie Oberösterreich. (catalog)
1999
Landi, Ann. "Drawing Is Another Kind of Language.”ARTNews, December.
Sheets, Hillarie. "The Syntax of Drawing, From Old and New Alike.” Newsday, October 1.
1998
Amy, Michael. " Mark Sheinkman at Thomas Healy.” Art in America, December.
Turner, Grady T.. "Up Now, Mark Sheinkman.” ARTNews, April.
“Goings On About Town.” The New Yorker, April 20.
Glueck, Grace. "Art Guide: Mark Sheinkman.” The New York Times, March 27.
Nahas, Dominique. "Mark Sheinkman.” Review Magazine, March.
Ebony, David. “Mark Sheinkman at Morris Healy.” Artnet.com, March.
Zimmer, William. "Matters of Scale, and of Nostalgia Too.” The New York Times, March 8.
Glueck, Grace. "Large Scale Drawings from the Collection of Wynn Kramarsky.” The New York Times, April 24.
Klein, Richard. Large Scale Drawings from the Collection of Wynn Kramarsky. Ridgefield, CT: Aldrich Museum of Contemporary Art. (catalog)
1997
Landi, Ann. "On the Edge: Mark Sheinkman, The Eraser.” ARTNews, September.
Trione, Vincenzo. "Sheinkman, poetic obsession.” Il Mattino, July 26.
Landi, Ann. "Site Specifics.” Art News. April.
Athineos, Doris. "When Kramarsky Talks Collectors Listen: What kind of Art Does the Man Who Sold the World’s Most Expensive Painting Collect?" Forbes, November 18.
Paparoni, Dimetrio. "Redefined Abstraction.” Tema Celeste, Autumn.
1996
Brennan, Michael. “Mark Sheinkman at Morris Healy.” Artnet.
Melrod, George. "Special Report: Contemporary Art - New York City.” Art and Antiques, Summer.
Schmerler, Sarah. "Mark Sheinkman.” Time Out New York, June 26.
Ebony, David, “ NYC Top Ten", Artnet.com, June 1996
1995
Shimony, Jonathan. "New York Art Scene II.” art vision, Winter