SELECTED EARLIER PRESS AND CATALOGS

2017    

Weinberg, Jill. “Mark Sheinkman.” New York: Lennon Weinberg Gallery. Catalog essay

2016    

Landi, Ann. “Mark Sheinkman.” Vasari21.com, January 2016.

2015  

McQuaid, Cate. “Delicate Balance.” The Boston Globe, April 29, 2015.

Pagliasso, Giancarlo. “Il deficit estetico nell'arte contemporanea: Un’analisi critica della retorica forma-merce figurativa nel XXI secolo.” p. 121-122, 125 

Ollman, Leah. “Ephemeral Ribbons of Light.” Los Angeles Times, June 9, 2014.

Landi, Ann. “When is an Artwork Finished?” ARTNews, February.

2013    

Daniels, Diana. Approaching Infinity: The Richard N. Green Collection of Contemporary Abstraction. Sacramento, California: Crocker Art Museum (catalog)

Greenberg, Alyssa. “Explorations of monochrome — All Black at Gallery Joe.” theArtBlog.org 

Marks, Rob. “#Hashtags: No Wrong Way In, No Wrong Way Out.”DailyServing.com

Shaw, Dan. “Trisha Reger Renovates.” Architectural Digest, November 2013.

2012  

Lodermeyer, Peter. Papier / Paper II. Bonn, Germany: Kunstgaleriebonn (catalog)

von Schoenebeck, Gudrun. “Zeichnungen und mehr: Acht Künstler in der Kunstgaleriebonn.” General Anzeiger, June 21.

2011    

Goodman, Wendy. “Great Room,” New York Magazine, November 28.

Grossman, Dan. “Review: Subtle Complexities.” Nuvo News, June 14.

Pagliasso, Giancarlo. “Arte dal ‘Come se’, al ‘Come è’.” Zeta, June.

Newhall, Edith. “Infusing useful objects with unexpected identities.” Philadelphia Inquirer, April 17.

 Park, Megan. “Mark Sheinkman and Dean Smith.” Philadelphia Weekly, March 17.

2010    

100 Years/100 Works of Art: Introduction to the Collection of the Grand Rapids Art Museum. Grand Rapids: Grand Rapids Art Museum. (catalog)

Lacher, Irene. “Home Base.” Luxe Magazine, Fall.

2009    

Schick, Dr. Ulrike. Mark Sheinkman. Otterndorf, Germany: Museum Gegendstandsfreier Kunst. (catalog)

Isham, Michelle. “‘Leaded’ makes its mark.” Centre Daily Times, September 18.

Finch, Elizabeth. New York/New Drawings, 1946 - 2007.  Segovia, Spain: Museo d’arte contemporaneo Esteban Vicente. (catalog)

Lafont, Isabel. “Una privilegiada ventana con vistas a las vanguardias.” El Pais, January 28.

Rafferty, Rebecca. “Making marks.” City Newspaper, January 28.

Bauer-Vonderwarft, Zacharias. “Bei Frühsorge: Mark Sheinkman hämmert im Hirn.” Die Welt, January 24.

2008    

Reese, Dr. Elizabeth. "Getting creative with the common.” Corpus Christi Caller-Times, December 4.

Cash, Stephanie. “Mark Sheinkman at Von Lintel.” Art in America, March.

Demuth, Gary. “More than just drawing.” Salina Journal, March 28.

Kozlowski, Andy. “Leaded.” Art Papers, January/February

2007    

Amy, Michael. 2007. New York: Von Lintel Gallery. (catalog)

Taylor, Robert. “Pencil me in for current Bedford exhibit.” Contra Costa Times, October 25.

Giovannini, Joseph. “Bold Gesture in New York.” Architectural Digest, April.

Newhall, Edith. “Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe.” The Philadelphia Inquirer, January 12.

Fallon, Roberta. "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours.” Philadelphia Weekly, January 17.

2006    

Fox, Catherine. “Exquisite Abstraction show at White Space is Smart and Satisfying.” The Atlanta Journal-Constitution, December  31.

Newhall, Edith. “Gridlock minus Road Rage.” The Philadelphia Inquirer, July 7.

2005    

Keller, Maximilian.  “Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman.” Die Welt, May 23.

Kaufman, Gina. “On Your Mark, The Kemper Gets Physical.” Pitch Weekly, March 16.

Thorson, Alice. “ Sheinkman’s  abstracts embrace both logic and enigma.” The Kansas City Star, February 13.

Williamson, Lisha. “Mark Sheinkman’s Way.” University News, February 7.

Edelman, Robert. New Works by Mark Sheinkman. Kansas City: Kemper Museum (catalog)

Miller, Andrew. “Line ‘Em Up, Mark Sheinkman works to the point of abstraction.” The Pitch, January 14.

2004    

Cullum, Jerry. “Intriguing interjections in a century-long dialogue.” Atlanta Journal-Constitution, May 30.

2003    

Renzi, Jen. “Blue Chip.” Interior Design, August.

Sherman, Mary. “Open Studio Press tries new `Line' of work.” The Boston Herald, January 12. 

McQuaide, Cate. “Meticulous Meditations on the Abstract.” The Boston Globe, January 3.

2002    

Johnson, Ken. “Art Guide: Zenroxy.” The New York Times, December 20.    

Gonzalez, Manuel; Forde, J.A.. “Unframed: Artists Respond to AIDS.” New York: Powerhouse Books (catalog)

2001    

Johnson, Ken. "Art Guide: Mark Sheinkman.” The New York Times, March 23.

Sauerbier, S.D.. Die Kunst der Linie-Möglichkeiten des Graphischen. Linz, Austria: Landesgalerie Oberösterreich. (catalog)

1999    

Landi, Ann. "Drawing Is Another Kind of Language.”ARTNews, December.

Sheets, Hillarie. "The Syntax of Drawing, From Old and New Alike.” Newsday, October 1.

1998    

Amy, Michael. " Mark Sheinkman at Thomas Healy.” Art in America, December.

Turner, Grady T.. "Up Now, Mark Sheinkman.” ARTNews, April.

“Goings On About Town.” The New Yorker, April 20.

Glueck, Grace. "Art Guide: Mark Sheinkman.” The New York Times, March 27.

Nahas, Dominique. "Mark Sheinkman.” Review Magazine, March.

Ebony, David. “Mark Sheinkman at Morris Healy.” Artnet.com, March.

Zimmer, William. "Matters of Scale, and of Nostalgia Too.” The New York Times, March 8.

Glueck, Grace. "Large Scale Drawings from the Collection of Wynn Kramarsky.” The New York Times, April 24.

Klein, Richard. Large Scale Drawings from the Collection of Wynn Kramarsky. Ridgefield, CT: Aldrich Museum of Contemporary Art. (catalog)

1997    

Landi, Ann. "On the Edge: Mark Sheinkman, The Eraser.” ARTNews, September.

Mehring, Christine. Drawing is another kind of language: Recent American Drawings from a New York Private Collection. Cambridge: Harvard University Art Museums. (catalog)

Trione, Vincenzo. "Sheinkman, poetic obsession.” Il Mattino, July 26.

Landi, Ann. "Site Specifics.” Art News. April.

Athineos, Doris. "When Kramarsky Talks Collectors Listen: What kind of Art Does the Man Who Sold the World’s Most Expensive Painting Collect?" Forbes, November 18.

Paparoni, Dimetrio. "Redefined Abstraction.” Tema Celeste, Autumn.

1996    

Brennan, Michael. “Mark Sheinkman at Morris Healy.” Artnet.

Melrod, George. "Special Report: Contemporary Art - New York City.” Art and Antiques, Summer.

Schmerler, Sarah. "Mark Sheinkman.” Time Out New York, June 26.

Ebony, David, “ NYC Top Ten", Artnet.com, June 1996

1995    

Shimony, Jonathan. "New York Art Scene II.” art vision, Winter